Artistic Excellence

DR. BRETT ALAN JUDSON is a California native whose journey through the world of music has been truly extraordinary. Boasting degrees from esteemed institutions like the Yale School of Music, Yale Institute of Sacred Music, Eastman School of Music, and Crystal Cathedral High School, Brett’s path is a testament to his passion for conducting and organ artistry. His most recent accolade is a doctoral degree in musical arts from The Hartt School, where he honed his conducting expertise under the mentorship of Edward Bolkovac. Brett's dedication also led him to private studies with esteemed conductors Pamela Perry and Donald Neuen. As Assistant Director of the New Haven Chorale, Brett helped prepare awe-inspiring performances of works such as J.C. Bach’s Magnificat, Charpentier’s Te Deum, Handel’s Judas Maccabaeus, and Orff’s Carmina Burana. At Emanuel Lutheran Church in Manchester, CT, he conducted renditions of Britten’s Rejoice in the Lamb, Chilcott’s A Little Jazz Mass, Schütz’s Passion According to St. John, and Handel’s Messiah.

As a sought-after presenter and educator, Brett has shared his expertise with the musical community in various settings. He presented a workshop on “Teaching Musicality in the Choral Setting” in 2023 for the Sacramento Valley Chapter of the American Guild of Organists. In previous years, Brett led workshops on “Developing a Caring Music Ministry” (2021) and a choral reading session (2019), also for the Sacramento Valley AGO. Additionally, he delivered thirteen lectures on Christian Hymnody from 2020-2021 and seven lectures surveying sacred choral music in 2021, both in Folsom, CA.

As an educator, Brett taught English Diction and directed the Hartt Camerata at The Hartt School. His musical journey extended internationally as an assistant conductor with the Connecticut Choral Union Touring Choir, leading performances in Prague and Budapest. Innovation is exemplified by his collaboration with award-winning composer Scott Perkins, who he commissioned to compose five sacred choral anthems. Notably, Brett undertook a major recording project with the Gothic Label in 2020, showcasing the premiere recording of Scott Perkins’s A New England Requiem and other sacred anthems. Currently a Lecturer at California State University, Sacramento, Brett is the Director of Choral Ensembles, teaches music theory (including Advanced Counterpoint), and is committed to fostering an inclusive and diverse learning environment that values the contributions of all students, regardless of their backgrounds. At CSU, Sacramento, he shared the podium for notable works such as Beethoven’s Mass in C, Handel’s Dixit Dominus, and Poulenc’s Gloria.

Brett is passionate in his role as Director of Music at Trinity Church, Episcopal, a thriving parish in Folsom, California. He enthusiastically directs two adult choirs and a children’s choir. In 2019, he founded the Folsom Academy of Music, nurturing young musical talents in Folsom’s historic district.

Brett’s conducting journey is grounded by his accomplishments in organ artistry. Brett received the Barnes Award for Excellence in Pipe Organ at Eastman and was a finalist in the 2010 Poister Organ Competition. He has appeared on the international television program Hour of Power with Robert H. Schuller and the radio broadcast Pipedreams! Under the guidance of J. Christopher Pardini, David Goode, Wayne Foster, William Porter, and Martin Jean, he has performed at esteemed venues across the US and Norway, including Grace Cathedral (San Francisco, CA), Cathedral of our Lady of the Angels (Los Angeles, CA), First Congregational Church (Los Angeles, CA), St. Thomas Church (New York, NY), St. Patrick’s Cathedral (New York, NY), Central Synagogue (Manhattan, NY), Bergen Cathedral (Bergen, Norway), and Stavanger Cathedral (Stavanger, Norway). He has coached with noted organists David Higgs, Fred Swann, and Paul Jacobs.

Brett’s research includes a notable exploration of American composer Stephen Paulus’s Visions from Hildegard. His essay documents the genesis of the triptych’s first part, commissioned by the American Guild of Organists and premiered by the Robert Shaw Festival Singers, with subsequent commissions by the Dale Warland Singers and Choral Arts Society of Philadelphia. Analyzing interviews with Paulus, including those recorded by Michael Barone for Pipedreams, Brett brings new insights into Paulus’s forgotten work. A thorough analysis of Paulus’s libretto, based on Hildegard von Bingen’s poetry and its translations, provides a comprehensive look into the textual and musical structure of the triptych. The musical analysis of part one of the triptych examines melody, harmony, rhythm, and form, offering a deeper understanding of Paulus's unique musical language.

Brett is a member of several professional organizations: American Guild of Organists (AGO), American Choral Directors Association (ACDA), Ralph Vaughan Williams Society, Association of Lutheran Church Musicians (ALCM), Association of Anglican Musicians (AAM), Chorus America, International Federation of Choral Music (IFCM), National Collegiate Choral Organization (NCCO), and National Association of Teachers of Singing (NATS).

Looking ahead, Brett remains deeply committed to exploring new works and collaborations that reflect the evolving landscape of choral music. He is particularly interested in commissioning works from underrepresented composers and expanding the repertoire to include a wider range of voices and cultural traditions. Beyond the podium, Brett's leadership roles in the American Guild of Organists and the American Choral Directors Association reflect his commitment to musical excellence. He’s a compassionate Stephen Leader, trained by Stephen Ministries, to impact lives through caring ministry. His roles as a continuing education director and supervision coordinator underscore his service as an active member at Trinity Church. Beyond his musical pursuits, Brett resides in Roseville, California, with his hobbies of weightlifting and tennis.